A John Williams Celebration – Los Angeles Philharmonic’s Opening Gala Concert

 

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For the 2014/15 Opening Night Concert and Gala, the Los Angeles Philharmonic paid loving tribute to composer John Williams, long a champion and close friend of the LA Phil. Gustavo Dudamel, an awestruck fan of the musical icon, led the orchestra in a crosssection of Maestro Williams’ matchless canon, including Star Wars, Jaws, Schindler´s List, Catch Me If You Can, Amistad and Fiddler On The Roof. Also featuring very special musical performances by Itzhak Perlman.

Pannonia Entertainment distributes this unique gala concert as Event Cinema (available from December 2015) to cinemas across Hungary, Czech Republic, Slovakia, Poland, Bulgaria, China, Romania, Finland, Norway and Sweeden.

By any standard, John Williams is one of the greatest film composers of all time; his 49 Academy Award nominations are second only to Walt Disney himself. And Williams and Walt Disney Concert Hall have gone hand in hand since Williams opened the Hall’s inaugural gala in 2003 with the world premiere of his concert work “Soundings.”

The Los Angeles Philharmonic’s gala celebration of Williams’ peerless achievements reunites Williams with master violinist Itzhak Perlman, who performed on the composer’s original score for Schindler’s List, which earned both Oscars and Grammys.

The musical program is interspersed with a conversation between Williams and Dudamel, as well as archival interview footage, as the composer reminisces about his life and career. The son of a musician in New York’s CBS Orchestra in the 1930s and 40s, Williams remarks, “I thought when you grew up you became a musician, that’s the only kind of adult I knew… I grew up in the ambience of music.”

The broadcast also features soloists Dan Higgins, Glenn Paulson and Michael Valerio, the U.S. Army Herald Trumpets and the Los Angeles Children’s Chorus, led by Anne Tomlinson, along with members from the Angeles Chorale.

The program begins with the U.S. Army Herald Trumpets joining Dudamel and the orchestra in the “Olympic Fanfare & Theme,” which Williams composed for the 1984 Olympic Games and conducted at its premiere during the opening ceremonies in Los Angeles.

Next, Perlman joins the orchestra to perform three pieces from 1993’s Schindler’s List: “Remembrances,” “Jewish Town – Krakow Ghetto 1941” and “Theme.” (Perlman explains that wherever he happens to be in the world, he is asked to play the music from that film.) He also performs Williams’ original Cadenza and Variations from the 1971 film adaptation of Fiddler on the Roof, for which the composer won his first Academy Award.

The spirited piece is followed by excerpts from “Soundings” accompanied by video. At the time of the work’s premiere, Williams said that he thought of it “…as an experimental piece for Walt Disney Concert Hall in which a collection of colorful sonorities could be sampled in the Los Angeles Philharmonic’s new environment.” He elaborates on his inspiration for the piece in his talk with Dudamel.

The orchestra is then joined by soloists Higgins (alto saxophone), Paulson (vibraphone) and Valerio (string bass) to perform Williams’ delightful jazz-infused suite “Escapades” from the film Catch Me If You Can.

The program continues with the orchestra performing “Throne Room and Finale” from Star Wars. The animated artwork featured during the performance is from the Lucas Museum of Narrative Art’s Star Wars Archive, including the simple line drawings and more detailed graphic representations of what would ultimately become the live action movie. At the end of the piece, Dudamel acknowledges Williams, who stands from his seat to a rousing ovation.

For the first encore, the Los Angeles Children’s Chorus (LACC) sings “Dry Your Tears, Afrika” from the 1997 film Amistad. They are accompanied by additional singers from the Angeles Chorale.

The ominous opening measures of Williams’ Theme from Jaws cause the children chorus members to flee the stage in mock-terror (but of course with bright smiles on their faces). Dudamel then escorts the evening’s honoree to the stage, where Williams leads the orchestra in a performance of his famous “Imperial March” from The Empire Strikes Back. An onstage appearance of a phalanx of official Imperial Stormtroopers, heralds the arrival of one of history’s most infamous film villains, Darth Vader himself, carrying a light saber. Near the conclusion of the iconic theme, confetti in the shapes of Star Wars characters C3PO and R2D2 cascade down from the ceiling.

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Full Music Program

Olympic Fanfare and Theme

Three Pieces from Schindler’s List

Cadenza and Variations from Fiddler on the Roof

“Soundings”

“Escapades” from Catch Me If You Can

“Throne Room and Finale” from Star Wars

“Dry Your Tears, Afrika” from Amistad

“Imperial March” from The Empire Strikes Back

Showcased throughout the program are several elaborate video installations created by projection designer Netia Jones and the critically-acclaimed creative studio LIGHTMAP.